Artist’s Statement
eggs that never come homes
the title eggs that never come home is from a
series I had done called songs of the bedwetters which is a series of visual
poems. In likeness to that series these artworks are visual poems. This poem
follows a story about a father who works tirelessly to put food on his families
table, but is too tired of being a man. I want to show this mirror image of a
chicken and worker being the same, both existing to make things work for their
survival, but at the same time feeling hopeless.
Poem:
ZULU POEM:
ubaba
uyeza ekhaya namaqanda ayabuya.
lolu
suku luzovalwa kodwa ubaba uzofika.
umama
uthe uzofika emini noma mhlawumbe
kusebusuku
kodwa ubuthongo bufike ngokushesha.
ubaba
wathi uzoza.
usuku
lomile nezicathulo zesikole ziyabila namanzi
avela
emehlweni akhe aphelile futhi omile.
wakhombisa
ngaphandle kwamaqanda kodwa
wazibeka
ngephunga elaphula ilanga futhi.
kodwa
ubaba wami noma ubaba nje,
noma
yimuphi ubaba uzofika
English TRANSLATION:
dad comes home
and the eggs come back.
this day will be
done but my father will come.
Mother said he would
come at noon or maybe…
it is still
night, and sleep comes quickly.
, but my father
said he would come.
the day is dry
and the school shoes are boiling with water
from his empty
and dry eyes.
showed without
eggs yet
he put himself
in a scent that broke the sun again.
but will my
father or just my father, or
any father will come
Biography:
Keneiloe-mpho Mazibuko or more casually known as Mpho, is a young black upcoming South African artist. Born in Soweto, however, moved to then grow up in Johannesburg South, Rosettenvile. Her passion for storytelling and art, began when she explored writing on online forums as a child and taught herself to draw, sculpt and paint. This passion for art only began to manifest as she pursued art in high school and university. Mpho has recently graduated with an honour in Visual Arts at The University of Johannesburg Auckland Park. Currently, she is working as a graphics designer while managing her budding art career. Her work centers around the idea of storytelling and capturing narratives. Due to her living between her families’ informal settlements, her own neighbourhood in Turffontien and Rosettenville as well as Soweto where her extended family resides, she interviews family members, friends, neighbours, and people she sees on a daily to capture their stories and allow people to explain where they came from and what they experience. Her immersive ways of capturing stories that do not have a chance to explain or share are one of the defining factors in the work. She presents an almost poetic story that exists in the discarded materials she uses, she doesn’t what to present or tell a story that the subject is uncomfortable with, she rather uses what they want you to see as means to define their experiences.