My work is an inquiry—across mediums—into what sustains relation without domination. I make pictures, yes, but more precisely, I create conditions where presence, perception, and attention can interrelate without force. This is the frame through which I practice what I call Vita-Socio-Anarco: a lived commitment to life, to social relation, and to the dismantling of hierarchy.
Whether in painting, photography, drawing, facilitation, or code, I return again and again to questions of being and becoming. I am less interested in what a work says than in how it listens—how it witnesses, opens, and alters the space around it.
My current bodyTime() series, for instance, arises from years of durational life drawing practice—spaces where models and artists co-create in slow time. These double-exposure photographs don’t aim to capture or resolve; they trace the soft tension between stillness and becoming, offering atmospheres of presence rather than portraits. In them, I resist spectacle. I trust ambiguity. I practice the meticulous blur.
This is not a search for beauty alone, nor is it critique for its own sake. It is a continual act of refining what is worth attending to—and how. I believe art can function as a working model of ethical reality. Not as grand solution, but as quiet enactment. A field of encounter. A form of care.
